When you first start building your masterpiece, put your elements into place as usual, but when placing certain elements, either leave a gap or extend them further out past the loop. That must be harder than it sounds, right? Well here’s the strategy that should get you there… One great way to get out of the eight-bar prison? Never send yourself down in the first place. Here’s the thing with subtractive arrangement: your track will still be quite dull, repeating the same elements over and over again, but by bringing in a context – removing and reintroducing elements – it’ll be much easier to see what needs to be done.īelow, we’ve started to add in transitional elements like risers and automated filters and started to edit and replace certain samples within the tune to move things forward and keep things interesting at the same time. There are similar combinations throughout the rest of the track from there, and each movement tells the story in its own way. After this, our ‘main loop’ plays for 16 bars with all the elements working together, only working now as the climax to a group of elements that had been teased beforehand. In our example below, we’ve started with beats and bass for the first eight bars, brought in the pad sound for the next eight, and then introduced our percussion and chords alternately for the next sixteen bars, taking the bass out for the last four of those. Now that you’ve got what is effectively an entire track of the repeated loop, it’s time to start sculpting it – literally taking things away from certain tracks to create the narrative of the entire song. Here we’re using the Loopmasters Hybrid Tech & House pack, after browsing for samples that go together on Loopcloud. Start by zooming out on your timeline, and duplicating your existing loop right out through the duration of the tune you’re after – let’s say four minutes, which is 120 bars. Here’s one way to quickly flesh out your clip into a full track. You’ve got to the stage where your eight-bar loop sounds boss AF, but you can’t just play it 20 times to an audience and get away with it. In this article, we’ll give you some strategies for getting yourself out of the loop and back into the track-making mindset. With all the samples in the world at your disposal, especially thanks to easy browsing in Loopcloud, it’s easy to spend all your effort on perfecting an eight-bar or sixteen-bar loop, only to get paralyzed when trying to spin it out into a whole track with its own arrangement.
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